I pay the price of three

In my next life, I will tell the story of this one 

and I will propose three endings; 

In the first one, we meet in school

and the story unfolds like a coming-of-age,

closed-lip kisses on campus and 

only a lapse of lovers' quarrels

—small fights that we laugh at, when we look back

We fumble when we sleep together, at first, 

awkward limbs tossing in blankets of warm flesh, 

and I listen to older women who tell me it will get better

We never leave the city, and prime the small tree growing in the garden,

for a baby. The folds of flesh on his plump arms

nuzzled by our lips in the evening. And the piano your parents give us,

never dusty in the mahogany walls of our walk-up, their keys 

lulled by three sets of hands. I write a novel that never gets bound into a book

and poems only for my baby to see.

In the second one, you leave me once a year for three years

After five, we no longer speak

By seven, we are strangers 

bound to the same space by occasional weddings and birthdays. 

You marry, and we both leave the city

I go North and you find warmer weather in the desert 

your last message goes unreturned, though I tell myself, 

I will write you one day. But we are both liars

committed to the sin of fantasy. 

I write because sadness looks prettier on paper. And my book

becomes a beacon for the left behind. We meet, one day,

in the aisle of a grocery store, when we visit our city. You tell me

she had your baby and we go for a drink to muse on our mistakes,

none of which we will apologize for. 

Because apologies live only in the choice to do it differently. 

Which we don’t make. 

You want to talk about fate, and the next life. I call it foolery. 

We never see each other again, but you hide in the lines of poems I write

in the breaths between notes of songs I hum 

as I leave the apartments of men I do not love as much as you.

A nail in my tire, fit just tight enough, so it won’t pop. And the bike chugs along

crippled, but moving.


In the last one, I am mindful when we meet

I will leave the country after school and return only for holidays

There will be years we don’t speak, 

but when we do, we chat like soft wind massages curtains of an open window

—fleeting, whimsical—the moment in the afternoon you tell your family about 

when they come home for the evening. 

You will know tenderness and I will know forgiveness, like an old friend 

our heads not yet filled with rue.

Desire, whittled away to an aching admiration 

for how we turned love into knowing. How, despite thirst,

we waited for the water to cool before we drank the tea. 

I am a poet, then, and how nice it is to write

not about you, but rather, the overgrown shrub, the love of a god 

cradled in prayer on the benches of the altar, 

And so, our later years are spent as friends

watching the mourning doves coo as they nest on my window sill

the condensation of sunrise, not yet wet against the glass.

Bethlehem

i

Fox says they drove into the city 

Looking for the convent, 

Before three nuns appeared

One after the other

Red jewel on their foreheads

Above the veil 

Their whispered gestures said

Come here

A cross breed city, 

Drunk off the blood of their savior

Cab drivers, who ash on their rosaries

As they ask, what do you fight for? 

Cars tailgating the border

Headlights bleed to the otherside where

Kids are talking to god

Believing their dirt is holy

ii

A privilege, is to choose to leave

iii

The cabs could only drive so close to the border

Before they were shooed away by guns and words—

—people who believed their worship was an excuse to kill

Leaving the nuns to fight their own war

Protected by the cross on their chest

The trucks of other faiths

Rambling through the city

Looking for someone else’s god to blame

Bethlehem ii

our heaven is still within reach

hands, outstretched, like liquid veins in the desert 

the walls have fallen—

—angels shed their wings

mud houses collapsed to reveal

cathedrals of glass and marble

the lies they told us as children

burned away by a land that no longer needs water

love who you love, a hymned orison, a choir of sirens

the planets, hanging in our horizon like a nursery mobile

Saturn’s rings, spinning on its axis 

and who could blame us for 

finding happiness in a different god

badgering the gates of Eden to let us in

because we have worshiped, despite our sin

my dear, our heaven is just around the corner

leave your cymbals, and black clothes

they won’t hate us for being in love

I promise I don’t want your passport, German Texas 

I just wanna be your schatz. My charm doesn’t work here.

I used to be called the quiet one, with sad eyes in the corner of that bar. 

All the white men want a Yoko for their ego.

Better than their stiff-lipped, crossed-legged, wife at home. 

I don’t drink much, but buy me one and I’ll show you

just how far that pint goes. On my knees, for grace and gobbies

My cowboy hat and black boots, for dancing

for walking across the counter of this Bavarian bar, to you.

They call it the German Texas. Lucky for them, 

I taste like Honey Creek Park, on the south side of the water

They never much liked me there, thinking I’m some 

slit-eyed home wrecker, one scoff away from eating their cats and dogs

But they’ll hand me a gun if I ask. Because it’s our god-given right

as an American. See, I don’t want your passport

I just want a kiss. On my apple cheeks, and I’ll slide my face to the right

to catch your lips. The star-spangled girl to your German nights. 

Where I’m from we believe that Eden will pardon even 

the window-working whores if they confess. 

That love is between a man and a woman 

but fucking can be done with anyone, in the back seat of a Sedan 

Is it the same here? I know you got a girl at home,

but I can be your wife for the night

I’ll hop on the back of your bike, or whatever you ride, Fallen Angels style 

And we can pretend we’re one of those yellow and white lovers

Looking for each other to rub hands, knock teeth

Later, I’ll hold your green eyes between my hands counting stones in the mossy ponds.

Get closer, lemme tell you, we don’t have to make a promise to forever, 

just make a promise to me, that you’ll wait till morning to leave

I used to go to service once a week, before I realized 

that father never knew my name. And if killing this unborn baby is a sin

Then consider me a saint, for having saved mine

in a pickle jar on the table. I want to freeze dry and wear it around my neck

The rosary-wearing, bible-thumbing man, telling me 

we’ll all be spared if we give $10 to the church every Sunday.

But I’m an American, though sometimes they tell me otherwise,

And I still believe in the God we see on the billboards, 

They tell me “Jesus is coming soon”, but that’s what our

mothers tell their children too. Waiting for their fathers 

The nuclear crises—men pretending they’re still boys

Mother’s forced to love for two. 

Someone told me here, the Milky Way is ridged like the spine of the sky 

Can you kiss me goodbye, drive me to the spree?

And yes, I really do believe it’s best to bury our dead

but it’s more exciting to sprinkle the ashes, don’t you think?

Baby, let’s spread ourselves all over this city, we can go 

where no one’s gone. We can find our own way to heaven

the things Bing wanted

a little life

to be someone’s wife 

daughter on the side and 

an SUV 

uncapped lip liner 

thicker at the sides 

gloss in the middle kissed on two soft tissues—

—like a first bleed

prayer beads held between fingers 

at the foot of the temple, knees touching cement

she asked God to let her see her only daughter wed

44. tailights on. rearview mirror fog.

belly full of liquid and stone 

in the bed that became a field of flowers

hair in trash, wig on 

Skin, smooth as a baby 

no screams or blood, 

only the wetness of her mother’s cheeks, 

the spit on her sister’s lips

as she kissed the casket 

the bulbs in her breasts that seeped into her blood

while the sheets were all white

looking for the exit on the freeway that would lead her to another life