I pay the price of three
In my next life, I will tell the story of this one
and I will propose three endings;
In the first one, we meet in school
and the story unfolds like a coming-of-age,
closed-lip kisses on campus and
only a lapse of lovers' quarrels
—small fights that we laugh at, when we look back
We fumble when we sleep together, at first,
awkward limbs tossing in blankets of warm flesh,
and I listen to older women who tell me it will get better
We never leave the city, and prime the small tree growing in the garden,
for a baby. The folds of flesh on his plump arms
nuzzled by our lips in the evening. And the piano your parents give us,
never dusty in the mahogany walls of our walk-up, their keys
lulled by three sets of hands. I write a novel that never gets bound into a book
and poems only for my baby to see.
In the second one, you leave me once a year for three years
After five, we no longer speak
By seven, we are strangers
bound to the same space by occasional weddings and birthdays.
You marry, and we both leave the city
I go North and you find warmer weather in the desert
your last message goes unreturned, though I tell myself,
I will write you one day. But we are both liars
committed to the sin of fantasy.
I write because sadness looks prettier on paper. And my book
becomes a beacon for the left behind. We meet, one day,
in the aisle of a grocery store, when we visit our city. You tell me
she had your baby and we go for a drink to muse on our mistakes,
none of which we will apologize for.
Because apologies live only in the choice to do it differently.
Which we don’t make.
You want to talk about fate, and the next life. I call it foolery.
We never see each other again, but you hide in the lines of poems I write
in the breaths between notes of songs I hum
as I leave the apartments of men I do not love as much as you.
A nail in my tire, fit just tight enough, so it won’t pop. And the bike chugs along
crippled, but moving.
In the last one, I am mindful when we meet
I will leave the country after school and return only for holidays
There will be years we don’t speak,
but when we do, we chat like soft wind massages curtains of an open window
—fleeting, whimsical—the moment in the afternoon you tell your family about
when they come home for the evening.
You will know tenderness and I will know forgiveness, like an old friend
our heads not yet filled with rue.
Desire, whittled away to an aching admiration
for how we turned love into knowing. How, despite thirst,
we waited for the water to cool before we drank the tea.
I am a poet, then, and how nice it is to write
not about you, but rather, the overgrown shrub, the love of a god
cradled in prayer on the benches of the altar,
And so, our later years are spent as friends
watching the mourning doves coo as they nest on my window sill
the condensation of sunrise, not yet wet against the glass.
Bethlehem
i
Fox says they drove into the city
Looking for the convent,
Before three nuns appeared
One after the other
Red jewel on their foreheads
Above the veil
Their whispered gestures said
Come here
A cross breed city,
Drunk off the blood of their savior
Cab drivers, who ash on their rosaries
As they ask, what do you fight for?
Cars tailgating the border
Headlights bleed to the otherside where
Kids are talking to god
Believing their dirt is holy
ii
A privilege, is to choose to leave
iii
The cabs could only drive so close to the border
Before they were shooed away by guns and words—
—people who believed their worship was an excuse to kill
Leaving the nuns to fight their own war
Protected by the cross on their chest
The trucks of other faiths
Rambling through the city
Looking for someone else’s god to blame
Bethlehem ii
our heaven is still within reach
hands, outstretched, like liquid veins in the desert
the walls have fallen—
—angels shed their wings
mud houses collapsed to reveal
cathedrals of glass and marble
the lies they told us as children
burned away by a land that no longer needs water
love who you love, a hymned orison, a choir of sirens
the planets, hanging in our horizon like a nursery mobile
Saturn’s rings, spinning on its axis
and who could blame us for
finding happiness in a different god
badgering the gates of Eden to let us in
because we have worshiped, despite our sin
my dear, our heaven is just around the corner
leave your cymbals, and black clothes
they won’t hate us for being in love
I promise I don’t want your passport, German Texas
I just wanna be your schatz. My charm doesn’t work here.
I used to be called the quiet one, with sad eyes in the corner of that bar.
All the white men want a Yoko for their ego.
Better than their stiff-lipped, crossed-legged, wife at home.
I don’t drink much, but buy me one and I’ll show you
just how far that pint goes. On my knees, for grace and gobbies
My cowboy hat and black boots, for dancing
for walking across the counter of this Bavarian bar, to you.
They call it the German Texas. Lucky for them,
I taste like Honey Creek Park, on the south side of the water
They never much liked me there, thinking I’m some
slit-eyed home wrecker, one scoff away from eating their cats and dogs
But they’ll hand me a gun if I ask. Because it’s our god-given right
as an American. See, I don’t want your passport
I just want a kiss. On my apple cheeks, and I’ll slide my face to the right
to catch your lips. The star-spangled girl to your German nights.
Where I’m from we believe that Eden will pardon even
the window-working whores if they confess.
That love is between a man and a woman
but fucking can be done with anyone, in the back seat of a Sedan
Is it the same here? I know you got a girl at home,
but I can be your wife for the night
I’ll hop on the back of your bike, or whatever you ride, Fallen Angels style
And we can pretend we’re one of those yellow and white lovers
Looking for each other to rub hands, knock teeth
Later, I’ll hold your green eyes between my hands counting stones in the mossy ponds.
Get closer, lemme tell you, we don’t have to make a promise to forever,
just make a promise to me, that you’ll wait till morning to leave
I used to go to service once a week, before I realized
that father never knew my name. And if killing this unborn baby is a sin
Then consider me a saint, for having saved mine
in a pickle jar on the table. I want to freeze dry and wear it around my neck
The rosary-wearing, bible-thumbing man, telling me
we’ll all be spared if we give $10 to the church every Sunday.
But I’m an American, though sometimes they tell me otherwise,
And I still believe in the God we see on the billboards,
They tell me “Jesus is coming soon”, but that’s what our
mothers tell their children too. Waiting for their fathers
The nuclear crises—men pretending they’re still boys
Mother’s forced to love for two.
Someone told me here, the Milky Way is ridged like the spine of the sky
Can you kiss me goodbye, drive me to the spree?
And yes, I really do believe it’s best to bury our dead
but it’s more exciting to sprinkle the ashes, don’t you think?
Baby, let’s spread ourselves all over this city, we can go
where no one’s gone. We can find our own way to heaven
the things Bing wanted
a little life
to be someone’s wife
daughter on the side and
an SUV
uncapped lip liner
thicker at the sides
gloss in the middle kissed on two soft tissues—
—like a first bleed
prayer beads held between fingers
at the foot of the temple, knees touching cement
she asked God to let her see her only daughter wed
44. tailights on. rearview mirror fog.
belly full of liquid and stone
in the bed that became a field of flowers
hair in trash, wig on
Skin, smooth as a baby
no screams or blood,
only the wetness of her mother’s cheeks,
the spit on her sister’s lips
as she kissed the casket
the bulbs in her breasts that seeped into her blood
while the sheets were all white
looking for the exit on the freeway that would lead her to another life