STALIN’S GHOST

He sets paper sailboats afloat on the pond,
combs the water with his fingers so the boats
move forward as if propelled by waves.
He looks up at the sky and wonders how
the sun manages to float up there on its own.

 

My grandfather asks him why he had to die
of starvation and exhaustion in the gulags,
why after surviving Hitler’s demonic reign
did they force him into the Red army
and promptly ship him off to Siberia?

 

But Stalin cannot hear him, nor can
he hear the millions of other dead
that have followed him to the edge of the pond.

 

Why do you not suffer, demand the murdered poets.
What kind of justice is this? they ask.
A purple butterfly lands on Stalin’s hand.

 

I will let you live, he whispers,
and releases it into the burning forest. 

NIGHTMARE SONG

I struggle to see over the shoulders of naked
and shivering men, boys, girls, women holding
babies. We turn a corner where bodies sway

 

from ropes, heads bowed and lolling
as if in prayer, beneath a rusted sky
straining to stay afloat. 

 

It’s the same dream again and again.
Helmeted men without faces swing clubs
at our heads, beat us forward, forward.

 

They’re feeding the monster Jews,
its mouth a yawning black and toothless hole,
tongue flopping like a dirty wet mattress,
insatiable. Gunshots pierce the shroud
of stifled weeping.

 

Our hands no longer
our hands.

DYING OF THIRST, SURROUNDED BY WATER

There we were, walking the line along
death’s precipice, mother trying on hats
in heaven’s department store.
Across the street, whores whistled
bitter schlaffmusik to lull the actuaries
into hypnotic grief. We tried
calling home but the telephone wires
had been ripped out by raccoons
or the government. I held the last
dime in my sweaty palm. Father had
a way with words, commanded them
stand tall as corn in August.
Since he’s gone there’s been a loud
silence, the hum of climate control
shifting the direction of my thoughts.
Bread refuses to rise even when
I strum the national anthem
along my pelvis. Always there,
always forgotten, my coccyx
connects me to what we always were.

  

*

 

Maybe it’s the rain or the spring
in the heel of my shoe or the cicada’s
shed overcoat alone on a lawn chair,
but something’s been telling me,
whispering in my ear, dance, or maybe
it’s once, or maybe dunce. Fire’s music
whorls through the wild conifers,
spreading the latest conspiracy
darkening the dark web.
How much of the soul is metaphor?
Someone said, you can’t overestimate
the body’s desire for eternity
.
A baby’s finger clenches like its pulling
a trigger. Is its first instinct to kill?
I turn away in disbelief.
Chatter like fat in a flame.

 

*

 

Corpses burst out of their wooden pods
claw their way to the surface,
and forage the forest floors for guns.
I hide among the leaves and needles,
dreaming of another kingdom, another time.
Is this what trauma does? A bed might be
a bomb, a bomb might be a bed,
or maybe just a briefcase left innocently
by the embassy door. I have so many keys,
I can’t remember what they’re for.

 

The dead sit hunched, nodding in agreement,
emptying their pockets, dragonflies drying
transparent wings on their naked skulls.
One pulls a bullet from his temple, sets
it down on a stump with a little tap.
There’s always an eighty-four percent chance
of winning Russian roulette
for whoever goes first.

 

*

 

The crowd celebrates the return of
the father. Kismet, they say. Savior,
they whisper. Messiah, they think.
Each hair on my head extends its
root down into my brain where the masses
gather, staring in wonder at the dome of sky.
Mother holds a box of sea salt. Kosher,
of course. That’s the spirit! Spiritus mundi?
Make like a rabbit and burrow deep,
she says. I dig up their graves but find
only empty orange shells.
A jet plane stitches the sky closed.
I throw another stick in the fire.
Father says, stop crying
and smile for the camera.

IN THE DREAM OF MONEY

there is no window
that has not been filled
with cold hard bills
stacked up like bricks
to block out the sun.
In the dream of money
a woman gives birth
to a baby that cries
and cries until filled
with spoonful after
spoonful of coins.
In the dream of money
someone says, capitalism
is in our blood,
and,
indeed the ground below
us is stained with money.
In the dream of money
money falls from clouds
but burns to ash before
hands lifted skyward
in prayer can reach them.
In the dream of money
all prayers start and end
with money, and the newly
converted fall to the floor
and writhe until they’re
covered in a blanket
of stitched together bills.
In the dream of money
we’re told that everyone’s
a winner before our
shirts are stuffed with
cash, our pants stuffed
with money, all of us hoisted
up like scarecrows in a field
of scarecrows, all of us
lifted onto our own posts,
coming apart in the wind.

ODE TO THE TURTLE

It’s true that they live longer than we do. Maybe because,
more than any other species, they don’t give a shit.
Did you know mermaids when tired rest their heads
on the backs of sea turtles? No? That’s because I made it up.
Mermaids are always tired. Like us, they long
for the sturm and drang that only human companionship can offer.
Turtles have no such desire. The turtle’s night-light turns off
each evening and it sleeps without worry about the next day’s tide
or what absurdity may happen in the corridors of power
above the shimmering surface, each scute on its back conditioned
to grow thicker by the day. Under its shell though, the turtle
remains tender. I know because I ate one—accidentally—
thinking snapper soup referred to the delicate red Caribbean fish.
Which leads me to this: never double-cross a turtle.
If you do, don’t let its sad eyes fool you into thinking it’s forgiven you.
Turtles hold anger inside where it moves freely from grievance
to grievance beneath a protective dome. Vigilant and hungry,
they wait for the right time to latch onto their prey,
dense neck muscles built to tug and tear, knowing, when its predators appear,
stronger and more agile, there is always plan B:
retreat, burrow, blend with the sea floor. And wait.
Soon every other creature will be gone, and it will be safe to emerge,
limbs a little stiffer, a little slower, sediment sliding off its back.

ARS POETICA

A metal comb slides
through wet black hair, 

steel teeth dragging
translucent lice,

their sticky eggs
dripping from each strand

like lanterns in trees
tilting in the wind.

JONAH

he didn’t know
if he was
in the whale
or if the whale
was in him
if he was white
or blue or high or low
he didn’t know
if he knew
or what he knew
if what he knew
was new
or if what he knew
was white or blue
he didn’t know
if he was talking
aloud or
in his head
or if the whale
was alive or dead
or in his head
he didn’t know
what he didn’t know
what he didn’t know
he knew
and back and forth
his thoughts flew
until the whale blew
and set him loose
and then he knew
he was alone
for no one came
to his rescue
he swam to shore
the sand was white
the sky was blue
at last he cried,
mon dieu, mon dieu,
je suis perdu
.